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Contemporaries remember him as an ardent defender of romantic art at the premiere of the innovative performance Victor Hugo "Hernani" (1830). The fight for the romanticism of his followers then won. Since that time, Gautier believed the author of "Notre Dame" a friend, and himself - his disciple. The very fascination of V. Hugo influence the choice of life path of nineteen young men who decided to devote himself to literature. But romanticism Gautier had its own peculiarities: he did not take civil pathos of his teacher. Underlining apoliticizm is one of the important features of his position in life.

From the first steps in the creative way he defended the freedom of art from the laws of society. The theoretical performances Gauthier defended the slogan "art for art's sake", which he proclaimed in 1835, "A fine is just that nothing is" - he asserted. Aesthetic tastes of the poet have always been consistent. In his article "On the beautiful in art" (1856), which has a programmatic nature, he stressed: "Art for art it is creativity, dismissed from all desires except the desire for perfection."

The creative legacy of the writer has a lot of prose and poetry, among them - novels, short stories, essays, articles, critical and theoretical nature. Best known for his novels - "Mademoiselle de Maupin» («Mademoiselle de Maupin», 1835-1836), «El Dorado, or Fortuny» («L'Eldorado ou Fortunio», 1838), "Captain Frakas» («Le Capitaine Fracasse» , 1863), etc.

Novel "Captain Frakas" writer conceived in his youth (in 1836), but only in the 60's started to implement his plan. In this work, most fully manifested his ability to "depict" in short, expertly sculpting the human characters. The protagonist of the work, courageous, noble baron Sigonyak where, like his literary predecessor, D'Artagnan - the embodiment of knightly service to the lady of the heart. In this way found a map of the romantic ideal of the author.

In the poetry collection "The enamels and cameos»(« Emaux et camees », 1852), which consisted of 55 poems, Gauthier has shown himself a master virtuoso, who, focusing on color and line, can send half a ton and shades. Many poems in this collection, in particular, "Carmen ", became the embodiment of aesthetic principles Parnassians.

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