Voluntary and Involuntary Sacrifice
Toni Morrison, being an outstanding writer, created a number of novels which
deal with very serious problems, and particularly noteworthy is the problem
of voluntary and involuntary sacrifices, which the author raised in two books
“Beloved” and “Jazz”. In fact both novels are so thematically
close that sometimes “Jazz” is treated as the continuation of the
theme of sacrifice raised in “Beloved” but what makes the novels
really different is the nature of sacrifices. In the case of “Beloved”
it is an involuntary sacrifice that may be justified but cannot be forgotten
and forgiven by main characters as well while in “Jazz” a sacrifice
is voluntary and the victim herself seems to forgive her murderer and the latter
does not suffer from remorse.
First of all it should be said that both novels are really thematically close
to one another and there may be easily found some parallel lines of development
of the plot and theme. To put it more precisely, Dorcas and Beloved are to a
significant extent similar to each other as well as the role they play in the
novels.
At this respect it is necessary to pay attention to the plots of both novels.
In fact Dorcas and Beloved are victims of people or in a way of circumstances.
As for Beloved, she is depicted by the author as if she was a reincarnation
of Sethe’s daughter she had to kill when she was a little child and when
Sethe was captured and the threat to her children to be sold was more than real.
As a result she preferred to kill her daughter and injure her sons seriously
so that they were not sold. Naturally she was imprisoned and when she was released
she prostitutes in order to earn money for headstone for her baby’s grave.
Gradually it becomes obvious that despite her cruelty and evil act in relation
to her daughter, as well as to her sons, her children is the most important
part of Sethe’s life for she did not forget them and her murdered daughter
in particular: “my first-born. All I can remember of her is how she loved
the burned bottom of bread. Can you beat that? Eight children that’s all
I remember” (Beloved p.5).
Naturally when a girl named Beloved appears in the novel Sethe believes that
it is a kind of reincarnation of her daughter and the author purposely mystifies
the existence of Beloved who feels to be a real Sethe’s daughter: “I
am Beloved and she is mine… I am not dead I sit the sun closes my eyes
when I open them I see the face I lost Sehte’s is the face that left me
Sethe sees me see her and I see the smile her smiling face is the place for
me it is the face I lost she is my face smiling at me doing it at last a hot
thing now we can join” (Beloved p.210, 213).
Gradually some tension appears in the relations between Beloved and Sethe because
the former believes the latter abandoned her. However, when at the end of the
story Beloved runs away, being afraid that Mr Bodwin is the white man that has
come back for her, Sethe gives up on life because she believes that she has
lost her child, the best part of her, again. In such a way it is obvious that,
judging fro the growing anger from the part of Beloved, she did not forgive
Sethe and she strives for life she does not want to die and her decision to
run away is quite natural indicating at her desire to live since only a hypothetical
threat makes her abandon her home in fact.
Moreover, Beloved remains unforgiving and she is not at peace with her death
that is evident from the fact of her reincarnation. By this the author attempts
to show that Sethe’s baby is murdered but its soul seeks for life in a
new body. Also it should be pointed out that the relations between Beloved and
Sethe are getting worse and worse that indicates at her desire to revenge even
if this revenge is unconscious or is not directly related to the murder. Anyway
Beloved feels to be abandoned by Sethe that implicitly reveals that she suffers
a lot and in such a situation she would have never forgiven the murder and have
been at peace. As if to enforce such an impression the author asks whether the
situation could be different “if her [Sethe] boys came back one day, and
Denver and Beloved stayed on – well, it would be the way it was supposed
to be, no?” (Beloved p.132) and at the same time the author hesitates
that anything could be really different and better.
As for Sethe, she also cannot recover from the murder and lost of her daughter
and even though she attempts to do her best to rehabilitate herself everything
seems to be in vain and finally the author shows that without Beloved her life
is senseless.
As for “Jazz”, this novel, being quite close to “Beloved”
significantly contrasts to the latter. Despite the fact that from the first
pages of the book the author reveals the tragedy that occurred to Dorcas, which
may be compared to Beloved. In fact, she was also murdered by Joe Trace who
felt in love with her and when she repulsed him he killed her, or, as the author
describes it: “he fell for an eighteen-year-old girl with one of those
deep down, spooky loves that made him so sad and happy he shot her just to keep
the feeling going” (Jazz p.5). At first glance it seems that the murder
has influenced the main characters, Joe and his wife Violet and they would not
lead normal life as they used to, especially Violet who “went to the funeral
to see the girl and to cut her dead face they through her and out of the church.
She ran, then, through all that snow, and when she got back to her apartment
she took the birds from their cages and set them out the windows to freeze or
fly, including the parrot that said ‘I love you’” (Jazz p.5).
However, it seems as if it was just a temporal expression of her anger and later
she reconciles with the fact of the affair her husband wanted to have with Dorcas.
Moreover, she obviously regrets about such a vandal act she committed to the
dead body of the girl. In fact she remembers Dorcas and it seems as if she asks
to forgive her for she cannot sleep and she visits the picture. Quite symbolically
she does it at night because it is quiet as if she pretends to communicate with
Dorcas in a way and asks to forgive but despite such remorse she actually keeps
leading normal life and she does not change it so dramatically as Sethe did.
At the same time it would be logical to presuppose that it is Joe, the murderer,
who should actually experience the same what Sethe did. But, in contrast, he,
who shot Dorcas, is depicted by the author after the murder as a well-mannered
older man, who does not feel guilt for his actions nor he suffers from remorse.
Moreover, he does not even go to jail, as Sethe did that had changed her life
dramatically. And what is probably more important is the fact that Dorcas seems
to forgive him for she does not point at him as her murderer when she has such
an opportunity. The fact that Dorcas forgive him becomes particularly obvious
when Felice conveys him the last message of Dorcas whose last words were “there’s
only one apple. Just one. Tell Joe” (Jazz p.225) that indicates that she
does not really blame him in her death and forgive him. At the same time she
ides calmly and unlike Beloved she is not reincarnated and she lives only in
the memory of people who knew her. Moreover, even her murderer, who should actually
suffer the most like Sethe does, feels quite comfortable and is not very concerned
about the cruel crime he has committed. And it is quite symbolic that after
Joe hears the last word of Dorcas addressed to him he soon hears music “floated
in through the open window” (Jazz p.225) that symbolizes as if Dorcas
soul rests in peace and leaves the earth when her last words are told to Joe.
Thus, taking into account all above mentioned, it is possible to conclude that
the voluntary sacrifice of Docras brings less suffering to Joe and his wife
Violet than the involuntary sacrifice of Beloved brings to Sethe. Nonetheless,
the tragedy that the author depicts in both books leave their traces in the
souls and fates of the main characters the only difference is that Joe, being
a murderer, feels more comfortable when she knows that he is forgiven, while
Sethe, on murdering her daughter and loosing her ‘reincarnated version’,
gives up on life. Consequently, voluntary sacrifice brings more relief than
involuntary one.
Bibliography:
1. Morrison, Toni (1990). Beloved. New York: New Publishers.
2. Morrison, Toni (1993). Jazz. New York: Touchstone.


